DIGITAL

In large part it is a communication between me and the work. It is a conversation where each layer—every element—informs the next. The result is a work of art that can never be created again.

The Concept

I am fascinated by lines and shapes.

Deconstructing things is one of my favorite things to do blah blah. Deconstructing things is one of my favorite things to do blah blah. Deconstructing things is one of my favorite things to do blah blah. Deconstructing things is one of my favorite things to do blah blah. Deconstructing things is one of my favorite things to do blah blah. Deconstructing things is one of my favorite things to do blah blah.Deconstructing things is one of my favorite things to do blah blah.

Boston Proper

In large part it is a communication between me and the work. It is a conversation where each layer—every element—informs the next. The result is a work of art that can never be created again.

Model A

In large part it is a communication between me and the work. It is a conversation where each layer—every element—informs the next. The result is a work of art that can never be created again.

48 x 48 Enacustic

Field of Followers

In large part it is a communication between me and the work. It is a conversation where each layer—every element—informs the next. The result is a work of art that can never be created again.

Field of Followers

In large part it is a communication between me and the work. It is a conversation where each layer—every element—informs the next. The result is a work of art that can never be created again.

48 x 48 Enacustic

The Pits

In large part it is a communication between me and the work. It is a conversation where each layer—every element—informs the next. The result is a work of art that can never be created again.

Field of Followers

In large part it is a communication between me and the work. It is a conversation where each layer—every element—informs the next. The result is a work of art that can never be created again.

48 x 48 Enacustic

From The Air

In large part it is a communication between me and the work. It is a conversation where each layer—every element—informs the next. The result is a work of art that can never be created again.

Field of Followers

In large part it is a communication between me and the work. It is a conversation where each layer—every element—informs the next. The result is a work of art that can never be created again.

48 x 48 Enacustic